"Azado"
September 25, 2013
August 28, 2013
International Art Exhibit - Netherlands
"Revelation 9:1-11 (Demonic Torment)"
digital collage
Jack the Hack (aka Gary A. Bibb)
Visions of Bosch International Exhibition
Jheronimus Bosch Art Center
Hertogenbosch, Netherlands
Exhibit Calendar: November - December 2013
Click this link for a preview -
Visions of Bosch: Sneak preview 28 Sept. 2013
Hieronymus Bosch, born Jeroen Anthonissen van Aken (c. 1450 - August 9, 1516) was an Early Netherlandish (Dutch) painter of the fifteenth and sixteenth centuries. Many of his works depict sin and human moral failings. Bosch used images of demons, half-human animals and machines to evoke fear and confusion to portray the evil of man. His works contain complex, highly original, imaginative, and dense use of symbolic figures and iconography, some of which was obscure even in his own time. (From Wikipedia)
May 9, 2013
International Exhibit - Nicosia, Cyprus
"Mnasthai" (To Remember)
digital & traditional collage
© 2013 Jack the Hack (aka Gary A. Bibb)
Featured in the exhibition: Against Lethe (Do not forget) as part of the 5th International Conference on Typography and Visual Communication (ICTVC) University of Nicosia, Cyprus
Exhibition calendar: June 4 - 12, 2013
This exhibit will also travel to the Margaris Foundation Gallery in Amfilochia, Greece and the Les Yper Yper Gallery in Thessaloniki, Greece.
May 6, 2013
Art Exhibit - Istanbul, Turkey
"Athira"
mixed media w/ collage
© 2013 Gary A. Bibb
Atolye Arts-In Gallery
Istanbul, Turkey
Exhibition Calendar: May 9 - 23, 2013
May 3, 2013
Papernews Art Exhibition - China
"Procession of the Parasols"
(Oriental Arrangement in Sienna and Grey)
(Oriental Arrangement in Sienna and Grey)
digital & traditional collage
© 2013 Jack the Hack (aka Gary A. Bibb)
Featured in the Papernews Art Exhibition
New Millennium Center for Contemporary Art
Changsha, Hunan, China
Exhibition Calendar: May 25 - June 25, 2013
Featured in the Papernews Art Exhibition
New Millennium Center for Contemporary Art
Changsha, Hunan, China
Exhibition Calendar: May 25 - June 25, 2013
April 1, 2013
Int'l Art Exhibit - Tartu, Estonia
"Idée Fixe
(Obsession)"
digital & traditional collage
© 2013 Jack the Hack (aka Gary A. Bibb)
digital & traditional collage
© 2013 Jack the Hack (aka Gary A. Bibb)
Featured in the exhibit: Papergirl Estonia
Tartu Linnaraamatukogu (Tartu Public Library)
Tartu, Estonia.
Tartu Linnaraamatukogu (Tartu Public Library)
Tartu, Estonia.
Exhibition Calendar: April 25 - May 4, 2013
The concept of this exhibition is unique in that after the
artworks have been displayed, they are collected together in small
groups by the curators and then dispersed randomly (for free) throughout the city in a method resembling the distribution of hand-delivered newspapers. The project was conceived in Berlin, Germany (2006) by Aisha Ronniger who delivered the artworks to the public - hence, the Papergirl reference.
March 29, 2013
International Art Exhibitions - Greece
"Orcado"
collage w/ mixed media
© 2013 Gary A. Bibb
This artwork will be included in two international exhibits. It will be on display as part of the International Day of Colors on May 2, 2013 in Thessaloniki, Greece. Additionally, "Orcado" will be featured in an exhibit at the Ergogallery in Aitolitko, Greece during August 2013.
March 8, 2013
Shozo Memorial Exhibition - Japan
"Okoza"
mixed media w/ collage
©2013 Gary A. Bibb
Permanent collection: Smithsonian Institution - Archives of American Art, Washington, D.C. - USA (gift of John Held)
Shozo Shimamato (1928 - 2013) was a co-founder of the Japanese avant garde art group - Gutai. He is regarded as one of the most daring and independent experimentalists of the international art scene during the 1950's and continued to explore/expand art boundaries until his death. I'm humbled to contribute an artwork to a memorial honoring Shozo and his influence on contemporary art. The Shimamoto Art Lab will exhibit and archive the artworks in honor of Shozo's inspiration.
Shimamoto Art Lab
Nishinomiya, Japan
A special memorial service honoring Shozo will be presented at Novotel Koshien Osaka West - Nishinomiya, Japan on March 13, 2013.
March 1, 2013
AACC Art Exhibit - Maryland, USA
"Forty Flippin' Frogs"
s/n digital monoprints w/ wooden box
variable dimensions
© 2013 Gary A. Bibb
detail (before signing)
exhibit installation view - photo: AACC
exhibit installation view - photo: AACC
exhibit installation view - photo: AACC
photo: AACC
Spin/s: A Fluxus Festival
Cade Fine Arts Center Gallery
Anne Arundel Community Collage
Arnold, MD
Exhibition Schedule: March 4 - 29, 2013
February 15, 2013
Chicago Cultural Center Exhibit - Chicago, IL
"Fifty Fidgety Flamingos"
1/50 (before signing)
digital collage monoprint
© 2013 Jack the Hack (aka Gary A. Bibb)
"Fifty Fidgety Flamingos"
digital collage monoprints
w/ plastic storage box
variable dimensions
© 2013 Jack the Hack (aka Gary A. Bibb)
w/ plastic storage box
variable dimensions
© 2013 Jack the Hack (aka Gary A. Bibb)
These
artworks (each one a unique variation on my visual theme) will be included in the exhibit: Fluxfest Chicago 2013. Several of the limited edition pieces will be selected by the curator, Keith Buchholz and sent to various international museum collections. (The information will be posted here when available.) In keeping with the Fluxus concept of art accessibility, the remaining artworks from this edition will be available for the audience to take away from the Chicago Cultural Center on February 23, 2013 for free.
Fluxfest Chicago 2013 is a 4 day exploration of Fluxus activity, from
its earliest scores and actions to contemporary interpretations. The festivities will occur at various locations in Chicago with the primary exhibit to be featured at the Chicago Cultural Center.
Exhibition Calendar: Thursday-Sunday, February 21-24, 2013
"Fifty Fidgety Flamingos"
1 - 10
slideshow loop
© 2013 Jack the Hack (aka Gary A. Bibb)
January 3, 2013
Gutai Art Exhibit - San Francisco, CA
"Sokena"
collage w/ mixed media
©2012 Gary A. Bibb
Permanent Collection: Smithsonion Institution - Archives of American Art (gift of John Held)
Permanent Collection: Smithsonion Institution - Archives of American Art (gift of John Held)
Sokena is an artwork concerned with the actual creative act - the tearing, cutting, pasting, dripping, daubing and mark-making. Therefore, it is a documentation of that particular art-making event rather than an artwork which emphasizes visual aesthetic pleasantries. This fundamental Gutai principle has inspired and influenced generations of artists.
An historical exhibition survey commemorating Gutai, the groundbreaking Japanese avant-garde art movement (1954-1972), featuring original artworks from notable founding members along with new works by international contemporary artists who have been inspired by the Gutai principles.
San Francisco Art Institute
Walter and McBean Galleries
800 Chestnut St.
San Francisco, CA 94133 - USA
San Francisco, CA 94133 - USA
February 8 – March 30, 2013
Exhibit information link: sfai.edu
Founded in 1871, SFAI has been a magnet for adventurous artists and central to the development of many of the country’s most notable art movements. After World War II, the school became a nucleus for Abstract Expressionism, with faculty including Clyfford Still, Ad Reinhardt, Mark Rothko, David Park, Elmer Bischoff, and Clay Spohn. Although painting and sculpture were the dominant mediums for many years, photography had also been among the course offerings. In 1946, Ansel Adams and Minor White established the first fine art photography department in the U.S., with Imogen Cunningham, Edward Weston, and Dorothea Lange among its instructors. By the early 1950s, San Francisco’s North Beach was the West Coast center of the Beat Movement, and music, poetry, and discourse were an intrinsic part of artists’ lives. A distinctly Californian modern art soon emerged that fused abstraction, figuration, narrative, and jazz. The CSAI faculty, which included Park, Bischoff, James Weeks, and Richard Diebenkorn were now the leaders of the Bay Area Figurative Movement. The institute's culture of exploration progressed during the 1960's and was at the forefront of recognizing an expanded vocabulary of art making that was a hybrid of many practices including performance and conceptual art, installation art, video, music, and social activism, which continued to inform much of the work of faculty and students in the 1970s and ’80s. During the late 20th century SFAI expanded their tradition of exploration to include new media practices. After 140 years, the SFAI faculty, students, and alumni continue to investigate and further define contemporary art and the role of artists in today’s global society.
Exhibit information link: sfai.edu
Founded in 1871, SFAI has been a magnet for adventurous artists and central to the development of many of the country’s most notable art movements. After World War II, the school became a nucleus for Abstract Expressionism, with faculty including Clyfford Still, Ad Reinhardt, Mark Rothko, David Park, Elmer Bischoff, and Clay Spohn. Although painting and sculpture were the dominant mediums for many years, photography had also been among the course offerings. In 1946, Ansel Adams and Minor White established the first fine art photography department in the U.S., with Imogen Cunningham, Edward Weston, and Dorothea Lange among its instructors. By the early 1950s, San Francisco’s North Beach was the West Coast center of the Beat Movement, and music, poetry, and discourse were an intrinsic part of artists’ lives. A distinctly Californian modern art soon emerged that fused abstraction, figuration, narrative, and jazz. The CSAI faculty, which included Park, Bischoff, James Weeks, and Richard Diebenkorn were now the leaders of the Bay Area Figurative Movement. The institute's culture of exploration progressed during the 1960's and was at the forefront of recognizing an expanded vocabulary of art making that was a hybrid of many practices including performance and conceptual art, installation art, video, music, and social activism, which continued to inform much of the work of faculty and students in the 1970s and ’80s. During the late 20th century SFAI expanded their tradition of exploration to include new media practices. After 140 years, the SFAI faculty, students, and alumni continue to investigate and further define contemporary art and the role of artists in today’s global society.
photo: courtesy SFAI
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